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The Story Prize Finalist 2006
Nature is as much a character in this sterling collection of 10 short stories as are any of the oddly off-center but otherwise endearing people who inhabit it. Bass writes with concern about the environment (Caribou Rising), and that same passion infuses his fiction (The Hermit’s Story). In Titan, a man recalls an awesome and awful day in his boyhood when freshwater rivers and streams, engorged by sudden heavy rains, surged into the ocean off the Alabama coast, stunning saltwater fish so they could be scooped up by the thousands. The teenage boys of Pagans squeeze inside a diving bell to plunge into a river so polluted it bursts into flame; in Fiber, a former writer and environmental activist gathers deadfall trees and, as the «log fairy,» sneaks the best onto the trucks of other wildcat loggers so they’ll cut down fewer trees. And in the elegiac title story, a geologist weak from cancer treatments relies on children from a rigidly fundamentalist family for winter wood; they are happy to help, until she teaches them that the Earth is millions of years old. These graceful stories are connected through Bass’s invocation of elemental forces, but at the same time each is deliciously distinct.
The Story Prize Finalist 2010
From an award-winning and extraordinarily eloquent author whose «prose dazzles» (The New York Times Book Review) comes a second stunning collection.
Set on four continents, Anthony Doerr’s new stories are about memory, the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. Every hour, says Doerr, all over the globe, an infinite number of memories disappear. Yet at the same time children, surveying territory that is entirely new to them, push back the darkness, form fresh memories, and remake the world.
In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman’s secret, a piece of the past with the power to redeem a life. In The River Nemunas, a teenage orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. Village 113, winner of an O’Henry Prize, is about the building of the Three Gorges Dam and the seed keeper who guards the history of a village soon to be submerged. And in Afterworld, the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson.
Every story in Memory Wall is a reminder of the grandeur of life – of the mysterious beauty of seeds, of fossils, of sturgeon, of clouds, of radios, of leaves, of the breathtaking fortune of living in this universe. Doerr’s language, his witness, his imagination, and his humanity are unparalleled in fiction today.
The Story Prize Finalist 2011
Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, this “small masterpiece of short fiction” (USA Today) is a mesmerizing introduction to Don DeLillo’s iconic voice. In Creation, a couple at the end of a cruise somewhere in the West Indies can’t get off the island — flights canceled, unconfirmed reservations, a dysfunctional economy. In Human Moments in World War III, two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood’s miracle, the apparition of a dead child, Esmeralda.
Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.
The Story Prize Winner 2011
From the Pulitzer Prize-winning author: the essential stories across three decades that showcase his indomitable imagination.
Possibly the most well-known of his short stories is Eisenheim the Illusionist, based on a pseudo-mythical tale of a magician who stunned audiences in Vienna in the latter part of the 19th century. It was made into the film, The Illusionist (2006).
Steven Millhauser’s fiction has consistently, and to dazzling effect, dissolved the boundaries between reality and fantasy, waking life and dreams, the past and the future, darkness and light, love and lust. The stories gathered here unfurl in settings as disparate as nineteenth-century Vienna, a contemporary Connecticut town, the corridors of a monstrous museum, and Thomas Edison’s laboratory, and they are inhabited by a wide-ranging cast of characters, including a knife thrower and teenage boys, ghosts and a cartoon cat and mouse. But all of the stories are united in their unfailing power to surprise and enchant. From the earliest to the stunning, previously unpublished novella-length title story — in which a man who is dead, but not quite gone, reaches out to two lonely women — Millhauser in this magnificent collection carves out ever more deeply his wondrous place in the American literary canon.